www.globalresearch.ca Centre for Research on Globalisation Centre de recherche sur la mondialisation
The URL of this article is: http://globalresearch.ca/articles/LOU406A.html
Farenheit -911 One longs for greatness in cinema today if just for the preservation of the health of this most precious and delicate of art forms. Michael Moore’s recent film “Farenheit 911” falls so short of its hype that the result may be disastrous to the anti-war movement. As cinema goes so does our civilization.
Farenheit begins with the theft of the Presidential election in 2000. Then Moore runs credits. Then he establishes the greed of the Bush clan with video snippets of them that establishes their station.
Then he switches to his propaganda campaign about 9/11. He asserts repeatedly that there were hijackers, 15 of whom are Saudi. Moore’s boldness is faux. Yes, he’s hinting that the Bush Regime was in contact with elites in Saudi Arabia that sponsored the Saudi hijackers. However, by confirming the existence of and continuously legitimizing Al Qaeda generally he cedes the means of control the Bush Regime has over the anti-war movement. This central flaw in Farenheit comes at this crucial juncture in history. Meanwhile, the mass hysteria over Farenheit among the anti-war movement is drowning out legitimate criticism of it.
Moore follows his 9/11 propaganda segment with a very strong anti-war section for the last hour. The most memorable parts of this section include graphic footage of Iraqis just after their loved ones have been killed.
Unfortunately, the anti-war commentary at the end doesn't make up for Moore elevating Al Qaeda’s stature as a means to terrify the US public. In time those graphic images near the end which move the anti-war movement will disappear from people's minds. However, the White House can continue to push the “Al Qaeda beheading button” whenever it needs a new topic for the corporate media’s front page. Moore has empowered them to do this.
Many people understand our democracy is rapidly nearing its end. (Before they snatch me away I'd like to say that the Ferris Wheel sequence in the classic movie "The Third Man" remains majestic.) Sadly, Michael Moore's "Farenheit 911" fails to improve the future prospects for cinema-goers everywhere.
Email this article to a friend
To express your opinion on this article, join the discussion at Global Research's News and Discussion Forum , at http://globalresearch.ca.myforums.net/index.php
The Centre for Research on Globalization (CRG) at www.globalresearch.ca grants permission to cross-post original Global Research (Canada) articles in their entirety, or any portions thereof, on community internet sites, as long as the text & title of the article are not modified. The source must be acknowledged as follows: Centre for Research on Globalization (CRG) at www.globalresearch.ca . For cross-postings, kindly use the active URL hyperlink address of the original CRG article. The author's copyright note must be displayed. (For articles from other news sources, check with the original copyright holder, where applicable.). For publication of Global Research (Canada) articles in print or other forms including commercial internet sites, contact: firstname.lastname@example.org .
For media inquiries: email@example.com
© Copyright belongs to the author, 2004. For fair use only/ pour usage équitable seulement.